Ultraculture, Episode 16: Timothy Wyllie on How to Contact Angels and Extraterrestrials
My guest for this episode is Timothy Wyllie, a graphic artist and writer who has specialized in the study of non-human intelligences, such as angels, ETs and dolphins, after a near-death experience in 1973. Wyllie was born in Great Britain in 1940 and raised in London. Having wended his way through an English public school education and then seven years further study at college, he qualified as an architect.
In the late 70s, Timothy Wyllie began a systematic exploration of out-of-body states. This led to experiments in telepathic communication with dolphins and an open invitation to contact with nonphysical beings that continues to this day. During this time, he was also running his own business in New Your City, marketing a system he had co-devised for storing and filing color photographs. He retired from the business community in 1981 and turned full time to his creative endeavors.
As a musician, Timothy Wyllie has made several tapes of what he calls “Bozon Music”—a True Age improvisational jazz, shamanic music of the heart—as well as a series of guided visualization and meditation tapes. Also an artist, he is currently working on a virtually endless progression of drawings of sacred landscape.
Timothy travels frequently to give lectures and seminars or to investigate sites and locations for his drawings. He is the author of Ask Your Angels: A Practical Guide to Working with the Messengers of Heaven to Empower and Enrich Your Life, Dolphins, ETs & Angels, and a co-author of Adventures Among Spiritual Intelligences: Angels, Aliens, Dolphins & Shamans. He lives in the high desert in New Mexico.
I first heard of Timothy Wyllie’s work with disincarnate intelligences while studying magick with Genesis Breyer P-Orridge, who often spoke highly of his friend’s research. So of course I decided to speak with him for this podcast, on the occasion of the release of his new book, Awakening of the Watchers, which is out now from Bear & Co.
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